It is long since I attended any live entertainment programme. So when my friend Alkesh Parajia, President of the Rotary Club of Mumbai Green City cajoled me into attending the captioned programme organized by the Rotary Club on 03 October 2017, in Bhaidas Hall, Vile Parle, Mumbai, I was more skeptical than thrilled. I anchored my thoughts with the usual routine of settling for buying the highest priced entry ticket and cooking some excuses for not attending the programme that would keep the organisers and me equally happy. But the smile, reinforced by the simplicity and sincerity of Alkesh was too strong to permit me to settle for this routine. So I decided to attend the programme. Frankly, I now feel his smile benefitted me.
Old habits dye hard. Prompted by a childhood habit, I reached the venue well in advance, almost to the embarrassment of the organisers. I attended the programme ab initio. It was a variety entertainment programme comprising the usual ‘bonanza’ of Hindi film songs, mimicry, instrumental music and one or two dances. The artists belonged to a group called Udan Foundation in Mumbai. The artists were all differently abled, most of them born blind! Udan Foundation was established in 2005 by a couple of blind artists. So I had settled to witness a few songs of mediocre fineness mainly to be appreciated because it was performed by mortals of lesser ability. I was soon proved wrong!
The programme started with the song ‘Satyam, Shivam, Sundaram the title song of the popular Hindi film. The programme in essence was exactly this – it was truthful (satyam), divine (shivam) and beautiful (sundaram), the essence of godliness! The song was rendered melodiously.
This was followed by the Mukesh song ‘Tarom me sajke’. It was touching to see the artist who was blessed with very limited vision holding his mobile almost touching his eyes to confirm the lyrics!
Though all the artists were differently abled mostly vision impaired, it was interesting to note that all of them selected songs tough and challenging for rendering. I remembered an old saying “The tough gets going when the going gets tough”. The song that followed ‘Jhanak, jhanak payaliyaan’ was an illustration of this. The song was rendered with complete ease and melody.
The girl who was performing her debut on the stage stunned me with her rendering of Lata Mangesshkar ‘Piya tu se naina lage’. Two cheers to her!
The duet ‘mey na bhooloonga’ from Manoj Kumar’s Roti, Kapada aur Makaan was rendered unforgettably by two young artists! How could one forget the girl who got ‘trapped’ in the rhythm of the popular song of humorous lyrics ‘ye me kaisy fassy’? Even those with below par ears for song, could not easily by pass to note the energy level of the song ‘mey hoom jhoomroom, jhoomroom pakad’ rendered by Deepak’ one of the founders of Udan! Three cheers to Deepak!
I always have a soft corner for songs sung in chorus. May be this love for chorus germinates from the HR trainer in me. I believe that there is no substitute for teamwork to make our society a better place to dwell. They say; the lion is considered the King of the forest because the lions catch their prey through unmatched teamwork unlike the leopard and tiger that go solo! Coming back to the programme, I quite easily joined the chorus ‘mey chali, mey chali dekho pyar ki gali mey’. Beautiful teamwork!
The two singers who chose to recite ‘the Mannade-Kishore dugal bandi ‘Ek chatur naar’ reinforced my conviction that the group never wanted to settle for easy songs. They always opted for challenge, which is the lesson they impart on the audience, loud and clear. Kudos to them. The example they set for the others was visible like an elephant inside a Mumbai Flat!
This was followed by the ‘jewel thief’ wonder sung by all the 10 vocalists in the group! Three cheers to them too! The mimicry that followed by the anchor of the group was not only appealing but also heartening! His anchoring mixing urdu sairees and humorous verses was a treat to one’s heart and intellect. The gymnastic excellence that followed exhibited on the pole by a dozen of young artists was breath taking. To receive training without the faculty of eyesight and do such daring acts in rhythm and unison is hard to believe! Kudos to this daring devils!
The intermission that followed gave me an opportunity to contemplate on the enormous amount of practice and rut these artists must have put in to convert their disability into ‘different ability’ before they could dare to take on the audience!
The duet ‘paradesiyaan, mey kahthi hum’ and the Marathi mix chorus that followed were just awesome! Seeing Satish who did not have his legs supporting him unlike you and me; dancing, shaking and moving to the tune of ‘suno bharat ke jhore wale, hamaare upar buri nazar na daalo’ sounded like challenging the audience not to envy him.
The song that followed ‘mere dol na sun; mere pyar ki geeth sun’ compelled one to listen not only to the singer’s pyar ki geeth but also her dol bajaye like sound! The flute recital by Kiran Vinkar that followed was a feast to one’s ears and heart. His proficiency to speak through his flute was amazing! It seemed that he could pronounce any word and sound through his flute!
The candle dance by a group of a baker’s dozen, kept everyone spell bound. The song, ‘ek dantaya; vakra tundaya, selected for the dance had befitting lyrics. Who, other than the ‘Vigneswara’ Himself could neutralize all the ‘Vignas’ and make this dance with fire on the forehead of the performers look like cakewalk for the artists?
As I observed earlier, I had a natural liking for songs sung in chorus. The last item ‘Vandemataram’ probably composed by none other than Rehman and rendered in chorus by all the artists of the troupe was a masterpiece! One could not easily forget the lines, the movements, the spirit, the attitude and above all, the life that reverberated the Bhaidas Hall with the chorus. I love India and I could feel my hairs raising with awesome love for India! Thank you Udan!
I was told that Udan Foundation which presented the programme has grown from a ‘let-us-do-something’ group of a dozen artists in 2005 into a giant troupe of more than 60 differently abled youth filled with energy and fortitude. I am happy that I decided to witness and enjoy such a meaningful programme. I mentally thanked Alkesh my friend.
Service to humanity is not an end in itself; it is not a destination, it cannot be a purpose. It is a journey we perform with the whole society as co-passengers. Rotary Club Mumbai Green City has more than proved this when it chose to conduct a programme like this where the performers and the audiences were equal partners in enjoyment and benefits.
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